Mexican amate

You need:

1. 
   brown paper bag


2. tempera paint in fluoresecent colours and white


3. brushes


4. jar with water


5. black marker


6. coloured paper for background


7. glue or stapler

Amate is a way of making paper, done for centuries by Mexican Indians. Amate paper is made by cooking the inner bark of various trees. At the beginning of the 20th century the Nahua Indians of Mexico started making amatepaintings as a form of folk art, especially in order to exchange and sell them to tourists.

Show some pictures of Mexican amate paintings. Discuss the striking features: birds, flowers, bright colours and black outlines. A frame around the drawing with a pattern in bright colours too.

Tear the edges off the paper: use thumb and fingers on both hands and tear very slowly. Use a pencil to draw some (two or three) birds and flowers, add a patterned frame and paint everything with fluorescent tempera. When it's dry, outline everything with a black marker. Don't forget the name of the artist!


Paste or staple the artworks on coloured construction paper.

Henhouse

Made by students from kindergarten

You need:

1. box


2. brown tempera paint


3. brush


4. paper plate


5. white paper 


6. red paper


7. black marker


8. straw

Paint the outside of the box with brown tempera paint. Fold the plate. Outline your hand and cut it twice out of a white sheet. Paste the hands on both sides of the chicken. Cut a comb and a beak out of red paper and paste them. Paste some feathers for the tail. 

Put the box on its side. Put some straw in the box and put the chicken in it. Stack the boxes of several students for a big hen house!

Patchwork landscape

By a student of grade 3.

You need:

1. white drawing sheets


2. tempera paint


3. brushes

This is an easy lesson in perspective for younger students. Talk about perspective and show the picture of the disappearing railway.

Do a step by step guide on the blackboard to make this drawing:





1. Put the sheet in the width for you.

2. Draw a wavy line on 2/3 of the bottom.

3. Place a dot in the middle on the top of the sheet.

4. Draw lines with a ruler from the bottom and sides of the sheet to the dot.

5. Divide the strips in squares.

6. Draw houses and trees on the horizon line.

After this the students can finish their artwork independently. Paint the squares all different and use different patterns. Stpale or paste the artwork on a coloured background.

Dutch canal houses groupwork

Part of the groupwork, made by students of grade 4

You need:

1. white drawing sheets


2. tempera paint


3. brushes


4. pencil


5. glue plakkaatverf

After a request of Amy Baldwin, art teacher in Millington, my 4th graders painted Dutch canal houses for the Empty Bowl fundraiser in Millington (Mi).

Before starting to paint, we talked about the Dutch Golden Age, a period roughly spanning the 17th century, in which Dutch trade, science and art were among the most acclaimed in the world. In this century many of the typical canal houses were built, in that age used as store houses. We looked at pictures of canal houses, discussed the different kinds of gables (neck gable, trep gable, bell gable) and details of the houses (windows, year it was built, stairs).



Every students gets a sheet of paper and has to draw a line on 8 cm of the bottom - this is for the canal. On the left side of the sheet there must remain a white strip of 2 cm (to paste all paintings together).

Every student draws his own canal house. Stop drawing after 5 minutes, to avoid drawint to many details. Paint the house with tempera paint. Mix colours, or for even better results: take two colours of paint on your brush and mix a little while painting.

Paste all paintings together to make a long street. Paint the canal. You might even add the words  'Groeten uit Holland'!

Click to see full site.

Sunflowers in five different materials

You need:

1. sunflowers or pictures of them


2. white drawing sheet A1 size, cut in strips of 30 by 65 cm


3. five different colouring materials, like colour pencils, tempera paint, watercolour paint, oil pastels, crayons, coloured ink, aquarell pencils etc.


4. brushes


5. pencil, ruler


6. coloured paper


7. scissors

Look with the students at some sunflowers or pictures of them. How thick is the stem, what can you tell about the leaves, how are the petals divided, what colours do you see in the heart of the flower, etc.

Divide the sheet with thin lines into five strips of 13 cm high. Draw some sunflowers. Make sure the flowers themselves are drawn at the demarcation of the strips. Make sure too that in each compartment at least half a sunflower or leave is drawn.

Choose five different colour materials. Use in every compartment a different material. Consider yourself the order of the materials, for example from bright (markers) to less bright (aquarelle pencils).

Paste the work on a coloured background. Or cut the five compartments and paste them with some space between on a coloured background.

Made by students of grade 5

In the style of Klaas Gubbels

Made by a student of grade 5

Klaas Gubbels (Netherlands, 1934) is a Dutch artist. He is best known for his still lifes of tables, chairs and coffee pots. He also makes sculptures, mostly with the same subjects.

Gubbels attended various art schools and teached art at the Art Academy in Rotterdam.

Gubbel's work became more abstract over the years. A characteristic of Klaas Gubbels is that he avoids all that is 'beautiful'. Beauty is unreal to him and keeps us away from the truth. The subject isn't interesting, but the humour, agression or dullness of this subject, that's what it's all about. The utensils, if they are freed from their jobs, end up with a mood or emotion.

Gubbels uses various techniques in his works: painting, drawing, graphic techniques, but also photographs, collages, assemblages and sculptures in glass and metal.

You need:

1. canvas A4 size


2. acrylic paint


3. brushes


4. jar with water


5. pencil

Show artwork from Klaas Gubbels. Discuss the subjects of his paintings. What stands out? Much or little detail? Depth? Perspective? Use of colour?

Students work on canvas with acrylic paint. Tell them about the properties of this paint: it dries quickly and is paintable.

Students have to make a painting with one of the topics that Gubbels frequently paints: chair, table or coffee pot. Unlike the real Gubbels works, the children in this task, however, have to paint a background. White is out of the question!

Made by a student of grade 5

Artist Trading Cards exchange with Australia

Another Artist Trading Cards, this time with Anna Pietrolungo from Essendon North Primary School in Australia.

Contact with a school contact with a school on the other side of the world is so exciting for my students! We searched the school on Google Earth, visited Anna's art blog and the school's website.

Many ohs and ahs when they saw the Australian students wearing school uniforms. That's inconceivable in the Netherlands and it took quite a time to discuss the the pros and cons (although most of my students didn't see any pro at all!).



My students made about 35 cards. Subjects and materials were their own choice. I laminated them and sent them to Australia. Hopefully their cards are almost ready, because we only have two weeks school to go before my students leave us to go to highschool!

Painting while listening to classical music

By Marrit (gr. 6, right part) and Luuk (gr. 1, left part)

You need: 

1.  cd's with classical music


2. cd-players


3. drawing sheet A2 size


4. brushes


5. tempera paint


6. jar with water

During a school project about music, students of grade 1 and 6 painted together while listening to classical music. We had five classrooms to work in. In every classroom was a cd-player with classical music: Bolero of Ravel, Four Seasons of Vivaldi, the Carneval of the Animals of Camille Saint-Saëns and two more. On the tables big sheets, paint and brushes.

Every first grader came to the sixth graders and asked a student to work with. Each pair was sent to a classroom where they listened to a piece of classical music. By talking together, 'What do you think of while hearing this?' 'What do you feel?' students had to make a painting. One student on the right side, the other on the left side of the sheet. It wasn't nesessary to make one painting, but they might do it. I was all about interpretation of the music.

Marrit (left, grade 6) and Luuk (grade 1) working together on their fishbowls

Students made great artworks together. Some worked together to make one painting, like the one above: two fishbowls, painted while listening to the Four Seasons - Spring of Vivaldi. It is clear the right bowl is painted by the grade 6 student. Other couples chose to paint tow different interpretations, as you can see below.

A great project, worth to give it a try!

Puss in boots?

You need:

1. drawing sheet A4 size


2. pencil


3. ruler


4. indian ink


5. brush


6. saucer


7. dip pen

Master Cat or The Booted Cat commonly known as Puss in Boots, is a French literary fairy tale about a cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master. The tale was published in 1697 by Charles Perrault as part of his collection Mother Goose's Tales.



How would it be if the animal you like most, wears boots? What kind of boots would he wear - rain boots, cowboy boots, thigh boots, high-heeled boots?

Draw a frame at 1 cm from the edges with a pencil. Sketch the contours of an animal in boots with pencil. Make sure the boots stand out well. Trace the pencil lines with a dip pen and indian ink. Draw details and a simple background.

The colouring has to be done with indian ink too. Put a few drops of ink on a plate and dilute it with water. More water will give a ligth grey, a little water will give dark grey. Finally, fill the page edge with a pattern or a shade of gray.

Both artworks are made by students of grade 6

Rapunzel

Made by a student of grade 1

You need:

1. drawing sheet A4 size


2. fine black marker, waterproof


3. watercolour paint


4. brushes


5. jar with water


6. wool


7. cutter


8. cutting mat


9. scissors


10. magazine


11. glue

Rapunzel is a German fairy tale in the collection assembled by the Brothers Grimm, and first published in 1812. The Grimm Brothers' story is an adaptation of the fairy tale Persinette by Charlotte-Rose de Caumont, originally published in 1698.

In the tale, an enchantress separates Rapunzel from her parents and puts her away in a room at the top of a tower in a remote part of a forest. The tower has no door or stairs and only a window. The enchantress would climb Rapunzel's long braid of golden hair to visit her. The enchatress would call out to Rapunzel saying: "Rapunzel, Rapunzel, let down your hair, so that I may climb the golden stair". One day a prince hears Rapunzel's beautiful singing voice and wants to meet her. He secretly observes how the enchantress is able to visit Rapunzel in the tower. The prince climbs in the tower, meets Rapunzel and they fall in love. The wicked enchantress attempts to separate them, but eventually they reunite, and live happily ever after.

After telling the fairy tale, students start to make Rapunzel's braid of wool threads. Then they draw a tower with a top hatch, using a waterproof fine black marker. Colour it with waterpaint colour. Cut the sides of the hatch (teacher has to do this!!) and fold them. Cut a picture of a woman of girl out of a magazine and paste it on a piece of paper. Paste the braid on the head. Paste the piece of paper behind the hatch, looking carefully to get the woman's head in the middle of it and hanging the braid through the hatch.

Made by students of grade 1

Surrealistic collage in the style of Dalí

By Tristan, 10 years old

You need:

1. white drawing sheet A3 size
2. magazines
3. scissors
4. glue
5. tempera paint
6. brushes

About Dalí

Salvador Dalí (Figueres, 1904 – 1989) was a Spanish painter and versitile artist. in his younger years he was interested in painters like El Greco, Michelangelo and Diego Velázquez. He focused his attention at that time to Impressionism and Cubism.
Dalí studied in Madrid from 1921 to 1924. In 1929 he moved to Paris. He met Pablo Picasso and André Breton and joined with surrealism.
In 1940 he moved to the USA and lived there for 15 years. After this he went back to Spain.
Dali's work can be divided in four periods.

Early period (1917-1927) - In this period Dalí made paintings of the landscape around Figueres. These works already show his kinship with Impressionism and Cubism.

Transition period (1927-1928) - This period is characterized by experimentation. He uses different textures, made with paint resins, sand, stone, cork and gravel.

Surrealistic period (1929-1940) - The Surrealists were not sufficient to logic alone. They focused on dreams and the subconscious. Dalí explored his own fears and fantasies and painted them on canvas through symbolic images in a very realistic, almost photographic style. He called his paintings "hand painted dream photographs'.

Classical period (1941-1989) - Dali stopped in 1941 with the surrealist style. He became fascinated by religion and modern science and found his inspiration in the ancient and Renaissance art.

Back to work

Show some surrealistic works of Dali and discuss the salient features: his work looks like a photo, contains 'strange' elements - things lijkt op een foto, bevat 'vreemde' elementen - things that can not actually. The work will surprise or a shock sometimes. Explain the difference between realism (reality painted on canvas, like a photo) and surrealism - realism with strange elements.
Tell students that they have to make a surreal collage today. For this they cut pictures from magazines, arrange them on a sheet and paste them. They may, if no proper background is to be found, paint a part of this background.

When ready

Discuss the artworks: what surrealistic elements do you see? And what are the realistic elements? What do you think of the combination of both?

In the style of Gaston Chaissac

You need:

1. drawing paper A3 size
2. tempera paint in primary colours
3. brushes
4. jar with water
5. paper towels
6. bold black marker
7. black construction paper
8. glue or stapler

The French painter and writer Gaston Chaissac was born in 1910. He came from a poor family and was often ill. In 1934 Chaissac moved to Paris and worked as a shoemaker.
He lived in the same house as the German artist Otto Freundlich. It was through the friendship with Freundlich that Chaissac developed the desire to become an artist. He trained himself as an autodidact, supported and promoted by Freundlich. Freundlich also introduced him to the Parisian art scene.

Chaissac exhibited his works in 1938. During his stays at a sanatorium because of his tuberculosis in 1938 and 1939, Gaston Chaissac used the time to paint and draw. After his wedding he moved to the Vendée.

The artist bridged this isolation in the countryside through lively correspondence with gallery owners, authors and artists in Paris. Although Chaissac endeavored to establish a connection with the artist community, he was only valued as an artist by a small circle of gallery owners, journalists, and friends.

As a result, he didn't receive the expected recognition during his lifetime. Chaissac worked as a tireless experimenter and used materials that he found for his works of art - newspapers, shells, peels etc. He painted on every substrate available to him, created pen and ink drawings, watercolours, oil paintings, collages and unusual three-dimensional works. The artist was sometimes classified by Jean Dubuffet with the 'Art brut'. Chaissac himself called his work rather rustic modern.

Gaston Chaissac died in 1964.

Without title, © Gaston Chaissac

View photos of the work of Chaissac and especially the work above. Discuss the salient features: bold black lines that separate colour planes, little depth, simply drawn faces, white planes. What would those white planes mean?

I chose this painter also to repeat colour mixing skills. The students draw on their sheet one head and one or more limbs. Put a pencil mark in these planes, because they have to stay white.
Then divide the sheet with wavy lines into small areas. Students choose two primary colours and use them to mix several colours. Paint the different planes with these mixed colours. Start with the brightest colour and and add more and more of the darker colour.

When the work is dry, outline every colour with a black marker. Bumps will disappear. Finally draw eyes, nose and mouth in the face. Paste or staple the work on black paper.

In the style of Gaston Chaissac, by students of grade 3

Making masks

You need:

1. white cardboard
2. rectangular aluminum containers
3. paint
4. brushes
5. scissors
6. glue
7. cutting knife
8. oil pastels

We look at masks from Venice, masks from Africa and the culture of the Incas, Mayans and Aztecs through photos on the internet. We discuss the form of the masks and look for the differences between the African, Venetian and those of the Incas. We look at the position of the eyes, nose and mouth.

Let students choose the style and material they want to use. The aluminium containers are meant for students who want to make an Inca mask, since Incas often used silver or gold.
Draw with pencil the shape of the mask and cut it out. Mark the spot where the eyes should be (at half or slightly above or below the half) and cut them out. Draw a nose and cut it partly in order to create some relief. Colour the mask with oil pastels.
For an Inca mask: cut the aluminum container, cut the eyes, cut a nose and paste it on, cut a mouth. Paint the mask with tempera, making sure there will be some shiny material to be seen.

Look at each others masks at the end of this lesson and discuss what style or influence you recognize.

Artworks made by students of grade 3

Thanks to Ann de Naegel (Belgium) and her students

Concentric circles in the style of Kandinsky

You need:

1. drawing sheet A3 size with 12 squares of 10 by 10 cm
2. temperea paint
3. brushes
4. paper towels
5. jar with water

Wassily Kandinsky (1866 – 1944) was a Russian-French painter. His style of painting originally belonged to expressionism, and is sometimes included in symbolism. Kandinsky was one of the artists who gave shape to the abstract art in the early twentieth century.

Kandinsky was inspired by music. According to his own timbre theory, each colour has its own language and expression, and each colour has a soul. Kandinsky tried to convert musical compositions into paintings. He heard colours in music and he saw music in colours. This correlation between music and colour is the starting point of this lesson.

Show students images of by Kandinsky. Tell that he listened to music while painting. Look at the painting 'Squares with concentric circles'. Which circle would belong to cheerful music? And what kind of music did Kandinsky hear while painting the dark circle?

Students are going to make a painting in the style of Kandinsky while listening to classical music. During this lesson they listened to Vivaldi's Four Seasons.
Each student gets a white sheet with 12 squares of 10 by 1o cm. Tell them to work from the outside to the middle. We may see no white anymore. Try to avoid two the same colours in one circle. Hang all paintings together on a bulletin board for a great group project!

Made by students of grade 1

Colourful cows, like Peter Diem

You need:

1. white painting sheet A3 size or a canvas
2. acrylic paint
3. brushes
4. jar with water
5. paper towels

Peter Diem (1945) is a Dutch painter. Diem, born from a Dutch father and a German mother, came in Amsterdam at the age of 3. He had a difficult childhood in which the people of Amsterdam showed they were not charmed by Germans so soon after the Second World War. After highschool Diem went to a school for graphic design to study graphic work. Through several European countries Diem landed in the 70's in the USA, where he married and had children. Halfway through the 90's he returned to the Netherlands and settled with his Diem Museum on the Prinsengracht Amsterdam.

Diem is inspired by the CoBrA Group ( a group of artists from Copenhagen, Brussels and Amsterdam - see also my lesson about CoBrA artist Corneille). His style is abstract and expressive. He brings the paint thick on the canvas, sometimes directly from the tube. With brush, knife and fingers the bright coloured paint is spread across the canvas. 'Diem paints like a tornado, he lives his art'. Themes in his work are flying cows, Napoleon, Africa and Ernest Hemingway.

Show artwork of Diem on the digital board. Pictures are to be found on Diem's website or use the Google picture viewer and look for Peter Diem. Discuss Diem's work:

• subject, Diem paints often cows
• use of bright colours
• simplicity of the image
• thick black contour lines
• no white spots anymore
• the cow is full screen

Show students how to draw a simplified cow, by drawing a cow on the digital board (click on the picture to enlarge). Let the children draw a picture of a simple cow. They have to sketch thin, without drawing many details. The cow has to be painted with acrylic paint, considering the features of Diem's work. Paint a background. Outline the cow with black paint and a small brush. This will also eliminate the unevenness. And of course the work has to be signed, just like Diem does!

All artworks are made by students grade 5

Christmas tree in strips

Made by a student of 11 years old

You need:

1. white drawing sheet A4 size
2. black construction paper A4 size
3. tempera paint
4. brush
5. advertising leaflet with Christmas decorations or aluminum foil or scrapbooking paper
6. glue
7. glitter stars
8. small piece of brown paper

Paint a white sheet with a broad brush and undiluted green tempera paint. Apply patches or streaks of different colours, to make the green sheet more vivid. Let the sheet dry.

Tear a trunk out of brown paper. Tear strips of the painted sheet that are about the same width. Place the paper strips on a black sheet in the form of a Christmas tree; the strips have to become slightly shorter. Put the trunk below the bottom strip and paste it. Paste the green strips, so that the trunk disappears partly under the lower strip.

Cut balls and a peak out of aluminium foil or advertising leaflets. You can also use scrapbooking paper. Paste balls and peak on the tree. Cut squares and rectangles (presents!) of coloured paper and paste them under the tree. Paste glitter stars around the tree.

Paper bag city

Made by a student of grade 2

You need:

1. white drawing sheets A3 size
2. tempera paint in blue, white and black
3. brown paper bag
4. scissors and glue
5. brushes

Torn some typical city center buildings in various forms out of brown paper bags. Paste them on a white sheet. In front of the high buildings we see smaller ones (overlap). Paint a blue or grey blue sky on the sheet. Use different colours of blue and grey. Outline the buildings with black tempera paint. Paint windows and doors. Hang all artworks together to create a long street.

City waterfront

You need:

1. blue construction paper A4 size
2. white drawing paper A3 size
3. construction paper and/or ribbed cardboard in several colours
4. scissors
5. glue
6. watercolour paint
7. brushes
8. jar with water

I found this lesson once on a German school website. The combination of cutting/pasting and painting is exciting! Students paste tight cut houses, and the reflection in the water is made with water colour paint, which is not tight at all - just as it should be!

Students cut rectangles of different heights and widths out of coloured paper. These are the bodies of the houses. Cut several triangles out of red construction paper, these are the roofs. Cut windows and doors.

Draw a line on 1 cm from the bottom of the blue sheet. Make a composition of the houses on this line, starting with the highest ones. Place the shorter houses in front of them (overlap). Paste the houses and roofs on the blue sheet. Paste windows and doors on them in different colours.

When ready, paste the blue sheet with houses on a white A3 size sheet. Use watercolour paint to paint the mirror image of the houses in the water. Paint as precise as possible, but don't use a ruler: reflections in water aren't that straight! Paint the water blue.

Made by students of 10-11 years old

Whirling leaves

You need:

1. white drawing sheet A4 size
2. watercolour paint
3. brushes
4. jar with water
5. small and broad black marker
6. col0ured construction paper for background
7. glue

Ask students a week before this lesson to take some flat dried leaves. Every student chooses one of his own leaves and outlines it several times with a pencil. Remember to draw not all the leaves in the same way on the paper, because they whirl down from the tree. Make sure some leaves go over the edge; those leaves will later be finished on the background.

Paint the leaves with watercolour paint. Use water to dillute the paint less or more. Choose real warm fall colours and try to make transitions in the colours by using wet in wet technique.

Paint the background blue. Use again the wet in wet technique, and/or choose for wet on dry. You don't have to paint exactly against the leaves, because they will be outlined with a marker.

Leave the work to dry and paste in on a coloured background. Outline the leaves with a thick black marker. Use a fine black marker for drawing the veins, while observing carefully the real leaves. Don't stop with outlining and drawing veins when you reach the background, but go on with it there.

Both artworks are made by students of 11 years old

Autumn leaves in cubist style

You need:

1. white drawing paper A4 size
2. pencil
3. ruler
4. tempera paint
5. brushes
6. gold colour marker

Ask students to take autumn leaves. Watch them together, paying particular attention to the form: heart-shaped, oval, round, oblong, etc. The composition of the leaves may vary: a leave can be single or composed of several leaflets (pinnate or palmately).

Students draw several leaves on their sheet. The leaves should not overlap. Draw parts of leaves against the edges. Only the outer form of the leaves have to be drawn, so no veins. If the leaves are drawn and the sheet is largely filled, draw four diagonal lines with pencil and ruler: two lines from left to right and two lines from top to bottom. Make sure these lines pass through the leaves. Do not press too hard with the pencil, otherwise they'll come through the paint!

The drawing has to be painted with four warm colours tempera: two colours for the leaves and two for the background. Paint the leave parts within a square in one colour and the background in a different colour. In the box next paint the leaves in a third colour and the background with colour four. See diagram below.

When the artwork is dry, trace the contour lines of the leaves and the diagonal lines with a gold marker.

Made by a student of 11 years old