Showing posts with label colored pencil. Show all posts
Showing posts with label colored pencil. Show all posts

Tuesday, January 24, 2012

The Challenge of Sketching and Painting Snow




The challenge of sketching snow in a journal is an ongoing dilemma, as it tends to show up flat and non-descript unless there are some lively contrasts around it. Living in Western Colorado, I have a lot of opportunities to try my hand at winter scenes (way too many!). Today we woke to about 4 new inches of snow on the ground. The landscape was magical--everything turned into a Winter Wonderland, sparkling white. A hush enveloped the land. The sky and ground were essentially the same color (white-ish) and the snow-laden trees, grasses, and cattails were coated with mounds of pure white fluff. This was the view from my front window this morning, looking out across our acre, our neighbor's log home, and the fields beyond. But I was so overcome with the beauty of it all, I had to sketch it during my morning tea.

I was lucky enough that the next page in my journal happened to be tan (I bind my own journals and sometimes mix papers in them), and I knew it would make the snow stand out against the dark background. I whipped out my portable gouache palette and used a Derwent Blue-Grey colored pencil to sketch the basic shapes in, then laid in swashes of white gouache. The gouache covered the tan paper, but an interesting contrast of tones developed from different areas where the background showed through. (The paper was Rives BFK 104 lb. tan) I liked the effect. And of course, the more you look, the more you see the different shades of grey, blue, green, brown, and other colors reflected in the snow. I used the blue-grey pencil and a dark brown one to add details and shading. My very peaceful, pristine scene was captured in the journal without much fuss, thanks mostly to white gouache, that versatile paint that can be applied thickly or watered down easily. Now what will I do on the next page, which is white?

Sunday, August 21, 2011

An evolving journal page--insects and friends...

Planning ahead isn't really necessary unless you're planning on publishing your journal pages!  I wasn't, I was just delighted to find such a wide variety of insect life all on the door frame of my shed/studio.  So this is an evolving sketch that I played with over days--I started over a week ago!  I did the rough sketch below with a Prismacolor Verithin black colored pencil--almost little more than quick gesture sketches--then took photos to refine them later.




I worked fast...I was standing up, the butterfly might move at any time, and the katydid, DID!  Sort of a slow-motion sloth effect...and of course added more details and more creatures as I went along!
 




slow-moving but definitely MOVING bush katydid...the leaf-like designs on his back were much more visible in this macro shot--I couldn't really see them with the naked eye.



My reference photos were really helpful in getting at the details I'd missed, although I never COULD get my camera to focus properly on the walking stick. 

I used my magnifying glass to get the details of the chrysalis--it was thin as tissue paper, delicate and almost translucent.  I thought I was done when I did the version below, with a headline, border, and color...




I waited a few days to add the color, until my new open-stock Verithin pencils arrived from Dick Blick--and then decided to add some watercolor after all! 





A day or so later still, I went back in and strengthened the darks and added a bit of tone to make the chrysalis at upper left stand out...
I couldn't resist adding the daddy longlegs or harvestman, which strolled up later...and before you say "ick, I hate spiders," these aren't spiders at all!  They have their own order, they are non-poisonous, and they eat other small insects.  They're very beautiful, up close, like a jeweled mosaic box.

A wonderful new book really points up the value of field sketches over more mechanical means of nature study.  It's Field Notes on Science and Nature. 


Edited by Michael Canfield and published by Harvard University Press--if you're interested in nature study with your journal, you'll love it too. 

Colored pencil and watercolor.